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The action takes place in late August 1833 at a hedge-school in the townland of Baile Beag, an Irish-speaking community in County Donegal. In a nearby field camps a recently arrived detachment of the Royal Engineers, making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names have to be recorded and rendered into English. In examining the effects of this operation on the lives of a small group, Brian Friel skillfully reveals the far-reaching personal and cultural effects of an action which is at first sight purely administrative.
- Sales Rank: #267961 in Books
- Brand: Faber & Faber
- Published on: 1995-03-16
- Released on: 1995-03-16
- Original language: English
- Number of items: 1
- Dimensions: 7.68" h x .32" w x 5.06" l, .20 pounds
- Binding: Paperback
- 112 pages
- Great product!
Review
“Translations is a modern classic. It engages the intellect as well as the heart, and achieves a profound political and philosophical resonance through the detailed examination of individual lives, of particular people in particular place and time.” ―Daily Telegraph
“This is Brian Friel's finest play, his most deeply thought and felt, the most deeply involved with Ireland but also the most universal: haunting and hard, lyrical and erudite, bitter and forgiving, both praise and lament.” ―Sunday Times
About the Author
Brian Friel was born in Omagh, County Tyrone (Northern Ireland) in 1929. He received his college education in Derry, Maynooth and Belfast and taught at various schools in and around Derry from 1950 to 1960. He is the author of many plays that have taken their place in the canon of Irish Literature, including Philadelphia, Here I Come! (1964), Lovers (1967), Translations (1980), The Communication Cord (1982), and Dancing at Lughnasa (1990). In 1980 he founded the touring theatre company, Field Day, with Stephen Rea.
Most helpful customer reviews
5 of 5 people found the following review helpful.
the loss of languages
By Kate
an eloquent, moving play about the love of one's native language (Irish) and the plight of lost languages (Latin, ancient Greek, and so on). Of course, it was written after the largely successful revival of the Irish language. There's your delayed "happy ending." (It's not the same, though, not by a long shot.)
the nice thing about friel's play is that he conveys the machine of colonialism with the appropriate complexity--it isn't "bad Englishman, good Irishman," but something much more complex. sometimes people like Owen, unwittingly or not, sell out their own. Sometimes others, for example the English soldier here, are part of the colonial apparatus, but not consciously or intentionally--and such people may end up being the colonized culture's greatest champions.
I liked it better than Dancing at Lughnasa. It reads well--and a lot of plays don't.
0 of 0 people found the following review helpful.
Five Stars
By PatB
Great product and service, thanks.
0 of 0 people found the following review helpful.
Five Stars
By Francis A. Carbine
Print to small to read. Pages discolored.
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