Jumat, 18 November 2011

[N790.Ebook] Download PDF Hooked: How to Build Habit-Forming Products, by Nir Eyal

Download PDF Hooked: How to Build Habit-Forming Products, by Nir Eyal

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Hooked: How to Build Habit-Forming Products, by Nir Eyal

Hooked: How to Build Habit-Forming Products, by Nir Eyal



Hooked: How to Build Habit-Forming Products, by Nir Eyal

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Hooked: How to Build Habit-Forming Products, by Nir Eyal

How do successful companies create products people can't put down?

Why do some products capture widespread attention while others flop? What makes us engage with certain products�out of sheer habit? Is there a pattern underlying how technologies hook us?

Nir Eyal answers these questions (and many more) by explaining the "Hook Model" -- a four steps process embedded� into the products of many successful companies to subtly encourage customer behavior. Through consecutive “hook� cycles,” these products reach their ultimate goal of bringing users back over and over again, without depending on� costly advertising or aggressive messaging.

Hooked is based on Eyal’s years of research, consulting, and practical experience. He wrote the book he wished had� been available to him as a startup founder – not abstract theory, but a how-to guide for building better products.� Hooked is written for product managers, designers, marketers, startup founders, and anyone who seeks to understand� how products influence our behavior.

Eyal provides readers with:

  • Practical insights to create user habits that stick.
  • Actionable steps for building products people love.
  • Fascinating examples from the iPhone to Twitter, Pinterest to the Bible App, and many other habit-forming products.

  • Sales Rank: #2399528 in Books
  • Published on: 2014-11-04
  • Released on: 2014-11-04
  • Format: International Edition
  • Number of items: 1
  • Dimensions: 8.50" h x 1.20" w x 5.70" l,
  • Binding: Hardcover
  • 256 pages

Review
"A must-read for everyone who cares about driving customer engagement." - Eric Ries, author of The Lean Startup

"Hooked gives you the blueprint for the next generation of products. Read Hooked or the company that replaces you will." - Matt Mullenweg, founder of WordPress

"The book everyone in Silicon Valley is talking about." - Stephen P. Anderson, author of Seductive Interaction Design

"The most high bandwidth, high octane, and valuable presentation I have ever seen on this subject." - Rory Sutherland, vice chairman, Oglivy & Mather

"Nir's work is an essential crib sheet for any start-up looking to understand user psychology." - Dave McClure, founder of 500 Startups

"When it comes to driving engagement and building habits, Hooked is an excellent guide into the mind of the user." - Andrew Chen, technology writer and investor

"I've learned a great deal from Nir, and you will too. He'll help you design habits to benefit your users, and your company." - Dr. Stephen Wendel, author of Designing for Behavior Change

"With concrete advice and tales from the product-development trenches, this is a thoughtful discussion of how to create something that users never knew they couldn’t live without." - Publishers Weekly

About the Author
�RYAN HOOVER's writing has appeared in TechCrunch, The Next Web, Forbes and Fast Company. After working on Hooked with Nir Eyal, Hoover founded Product Hunt, a company that has been described as "the place to discover the enxt big things in tech."

Excerpt. � Reprinted by permission. All rights reserved.

contents

introduction

Seventy-nine percent of smartphone owners check their device within fifteen minutes of waking up every morning.1 Perhaps more startling, fully one-third of Americans say they would rather give up sex than lose their cell phones.2

A 2011 university study suggested people check their phones thirty-four times per day.3 However, industry insiders believe that number is closer to an astounding 150 daily sessions.4

Face it: We’re hooked.

The technologies we use have turned into compulsions, if not full-fledged addictions. It’s the impulse to check a message notification. It’s the pull to visit YouTube, Facebook, or Twitter for just a few minutes, only to find yourself still tapping and scrolling an hour later. It’s the urge you likely feel throughout your day but hardly notice.

Cognitive psychologists define habits as “automatic behaviors triggered by situational cues”: things we do with little or no conscious thought.5 The products and services we use habitually alter our everyday behavior, just as their designers intended.6 Our actions have been engineered.

How do companies, producing little more than bits of code displayed on a screen, seemingly control users’ minds? What makes some products so habit forming?

Forming habits is imperative for the survival of many products. As infinite distractions compete for our attention, companies are learning to master novel tactics to stay relevant in users’ minds. Amassing millions of users is no longer good enough. Companies increasingly find that their economic value is a function of the strength of the habits they create. In order to win the loyalty of their users and create a product that’s regularly used, companies must learn not only what compels users to click but also what makes them tick.

Although some companies are just waking up to this new reality, others are already cashing in. By mastering habit-forming product design, the companies profiled in this book make their goods indispensable.

FIRST TO MIND WINS

Companies that form strong user habits enjoy several benefits to their bottom line. These companies attach their product to internal triggers. As a result, users show up without any external prompting.

Instead of relying on expensive marketing, habit-forming companies link their services to the users’ daily routines and emotions.7 A habit is at work when users feel a tad bored and instantly open Twitter. They feel a pang of loneliness and before rational thought occurs, they are scrolling through their Facebook feeds. A question comes to mind and before searching their brains, they query Google. The first-to-mind solution wins. In chapter 1 of this book, we explore the competitive advantages of habit-forming products.

How do products create habits? The answer: They manufacture them. While fans of the television show Mad Men are familiar with how the ad industry once created consumer desire during Madison Avenue’s golden era, those days are long gone. A multiscreen world of ad-wary consumers has rendered Don Draper’s big-budget brainwashing useless to all but the biggest brands.

Today, small start-up teams can profoundly change behavior by guiding users through a series of experiences I call hooks. The more often users run through these hooks, the more likely they are to form habits.

How I Got Hooked

In 2008 I was among a team of Stanford MBAs starting a company backed by some of the brightest investors in Silicon Valley. Our mission was to build a platform for placing advertising into the booming world of online social games.

Notable companies were making hundreds of millions of dollars selling virtual cows on digital farms while advertisers were spending huge sums of money to influence people to buy whatever they were peddling. I admit I didn’t get it at first and found myself standing at the water’s edge wondering, “How do they do it?”

At the intersection of these two industries dependent on mind manipulation, I embarked upon a journey to learn how products change our actions and, at times, create compulsions. How did these companies engineer user behavior? What were the moral implications of building potentially addictive products? Most important, could the same forces that made these experiences so compelling also be used to build products to improve people’s lives?

Where could I find the blueprints for forming habits? To my disappointment, I found no guide. Businesses skilled in behavior design guarded their secrets, and although I uncovered books, white papers, and blog posts tangentially related to the topic, there was no how-to manual for building habit-forming products.

I began documenting my observations of hundreds of companies to uncover patterns in user-experience designs and functionality. Although every business had its unique flavor, I sought to identify the commonalities behind the winners and understand what was missing among the losers.

I looked for insights from academia, drawing upon consumer psychology, human-computer interaction, and behavioral economics research. In 2011 I began sharing what I learned and started working as a consultant to a host of Silicon Valley companies, from small start-ups to Fortune 500 enterprises. Each client provided an opportunity to test my theories, draw new insights, and refine my thinking. I began blogging about what I learned at NirAndFar.com, and my essays were syndicated to other sites. Readers soon began writing in with their own observations and examples.

In the fall of 2012 Dr. Baba Shiv and I designed and taught a class at the Stanford Graduate School of Business on the science of influencing human behavior. The next year, I partnered with Dr. Steph Habif to teach a similar course at the Hasso Plattner Institute of Design.

These years of distilled research and real-world experience resulted in the creation of the Hook Model: a four-phase process companies use to forms habits.

Through consecutive Hook cycles, successful products reach their ultimate goal of unprompted user engagement, bringing users back repeatedly, without depending on costly advertising or aggressive messaging.

While I draw many examples from technology companies given my industry background, hooks are everywhere—in apps, sports, movies, games, and even our jobs. Hooks can be found in virtually any experience that burrows into our minds (and often our wallets). The four steps of the Hook Model provide the framework for the chapters of this book.

The Hook Model

1. Trigger

A trigger is the actuator of behavior—the spark plug in the engine. Triggers come in two types: external and internal.8 Habit-forming products start by alerting users with external triggers like an e-mail, a Web site link, or the app icon on a phone.

For example, suppose Barbra, a young woman in Pennsylvania, happens to see a photo in her Facebook News Feed taken by a family member from a rural part of the state. It’s a lovely picture and because she is planning a trip there with her brother Johnny, the external trigger’s call to action (in marketing and advertising lingo) intrigues her and she clicks. By cycling through successive hooks, users begin to form associations with internal triggers, which attach to existing behaviors and emotions.

When users start to automatically cue their next behavior, the new habit becomes part of their everyday routine. Over time, Barbra associates Facebook with her need for social connection. Chapter 2 explores external and internal triggers, answering the question of how product designers determine which triggers are most effective.

2. Action

Following the trigger comes the action: the behavior done in anticipation of a reward. The simple action of clicking on the interesting picture in her news feed takes Barbra to a Web site called Pinterest, a “social bookmarking site with a virtual pinboard.”9

This phase of the Hook, as described in chapter 3, draws upon the art and science of usability design to reveal how products drive specific user actions. Companies leverage two basic pulleys of human behavior to increase the likelihood of an action occurring: the ease of performing an action and the psychological motivation to do it.10

Once Barbra completes the simple action of clicking on the photo, she is dazzled by what she sees next.

3. Variable Reward

What distinguishes the Hook Model from a plain vanilla feedback loop is the Hook’s ability to create a craving. Feedback loops are all around us, but predictable ones don’t create desire. The unsurprising response of your fridge light turning on when you open the door doesn’t drive you to keep opening it again and again. However, add some variability to the mix—suppose a different treat magically appears in your fridge every time you open it—and voil�, intrigue is created.

Variable rewards are one of the most powerful tools companies implement to hook users; chapter 4 explains them in further detail. Research shows that levels of the neurotransmitter dopamine surge when the brain is expecting a reward.11 Introducing variability multiplies the effect, creating a focused state, which suppresses the areas of the brain associated with judgment and reason while activating the parts associated with wanting and desire.12 Although classic examples include slot machines and lotteries, variable rewards are prevalent in many other habit-forming products.

When Barbra lands on Pinterest, not only does she see the image she intended to find, but she is also served a multitude of other glittering objects. The images are related to what she is generally interested in—namely things to see on her upcoming trip to rural Pennsylvania—but there are other things that catch her eye as well. The exciting juxtaposition of relevant and irrelevant, tantalizing and plain, beautiful and common, sets her brain’s dopamine system aflutter with the promise of reward. Now she’s spending more time on Pinterest, hunting for the next wonderful thing to find. Before she knows it, she’s spent forty-five minutes scrolling.

Chapter 4 also explores why some people eventually lose their taste for certain experiences and how variability impacts their retention.

4. Investment

The last phase of the Hook Model is where the user does a bit of work. The investment phase increases the odds that the user will make another pass through the Hook cycle in the future. The investment occurs when the user puts something into the product of service such as time, data, effort, social capital, or money.

However, the investment phase isn’t about users opening up their wallets and moving on with their day. Rather, the investment implies an action that improves the service for the next go-around. Inviting friends, stating preferences, building virtual assets, and learning to use new features are all investments users make to improve their experience. These commitments can be leveraged to make the trigger more engaging, the action easier, and the reward more exciting with every pass through the Hook cycle. Chapter 5 delves into how investments encourage users to cycle through successive hooks.

As Barbra enjoys endlessly scrolling through the Pinterest cornucopia, she builds a desire to keep the things that delight her. By collecting items, she gives the site data about her preferences. Soon she will follow, pin, repin, and make other investments, which serve to increase her ties to the site and prime her for future loops through the Hook.

A New Superpower

Habit-forming technology is already here, and it is being used to mold our lives. The fact that we have greater access to the web through our various connected devices—smartphones and tablets, televisions, game consoles, and wearable technology—gives companies far greater ability to affect our behavior.

As companies combine their increased connectivity to consumers, with the ability to collect, mine, and process customer data at faster speeds, we are faced with a future where everything becomes potentially more habit forming. As famed Silicon Valley investor Paul Graham writes, “Unless the forms of technological progress that produced these things are subject to different laws than technological progress in general, the world will get more addictive in the next 40 years than it did in the last 40.”13 Chapter 6 explores this new reality and discusses the morality of manipulation.

Recently, a blog reader e-mailed me, “If it can’t be used for evil, it’s not a superpower.” He’s right. And under this definition, building habit-forming products is indeed a superpower. If used irresponsibly, bad habits can quickly degenerate into mindless, zombielike addictions.

Did you recognize Barbra and her brother Johnny from the previous example? Zombie film buffs likely did. They are characters from the classic horror flick Night of the Living Dead, a story about people possessed by a mysterious force, which compels their every action.14

No doubt you’ve noticed the resurgence of the zombie genre over the past several years. Games like Resident Evil, television shows like The Walking Dead, and movies including World War Z are a testament to the creatures’ growing appeal. But why are zombies suddenly so fascinating? Perhaps technology’s unstoppable progress—ever more pervasive and persuasive—has grabbed us in a fearful malaise at the thought of being involuntarily controlled.

Although the fear is palpable, we are like the heroes in every zombie film—threatened but ultimately more powerful. I have come to learn that habit-forming products can do far more good than harm. Choice architecture, a concept described by famed scholars Thaler, Sunstein, and Balz in their same-titled scholarly paper, offers techniques to influence people’s decisions and affect behavioral outcomes. Ultimately, though, the practice should be “used to help nudge people to make better choices (as judged by themselves).”15 Accordingly, this book teaches innovators how to build products to help people do the things they already want to do but, for lack of a solution, don’t do.

Hooked seeks to unleash the tremendous new powers innovators and entrepreneurs have to influence the everyday lives of billions of people. I believe the trinity of access, data, and speed presents unprecedented opportunities to create positive habits.

When harnessed correctly, technology can enhance lives through healthful behaviors that improve our relationships, make us smarter, and increase productivity.

The Hook Model explains the rationale behind the design of many successful habit-forming products and services we use daily. Although not exhaustive given the vast amount of academic literature available, the model is intended to be a practical tool (rather than a theoretical one) made for entrepreneurs and innovators who aim to use habits for good. In this book I have compiled the most relevant research, shared actionable insights, and provided a practical framework designed to increase the innovator’s odds of success.

Hooks connect the user’s problem with a company’s solution frequently enough to form a habit. My goal is to provide you with a deeper understanding of how certain products change what we do and, by extension, who we are.

HOW TO USE THIS BOOK

At the end of each section, you’ll find a few bulleted takeaways. Reviewing them, jotting them down in a notebook, or sharing them on a social network is a great way to pause, reflect, and reinforce what you have read.

Building a habit-forming product yourself? If so, the “Do This Now” sections at the end of subsequent chapters will help guide your next steps.

REMEMBER & SHARE


���•�Habits are defined as “behaviors done with little or no conscious thought.”
���•�The convergence of access, data, and speed is making the world a more habit-forming place.
���•�Businesses that create customer habits gain a significant competitive advantage.
���•�The Hook Model describes an experience designed to connect the user’s problem to a solution frequently enough to form a habit.
���•�The Hook Model has four phases: trigger, action, variable reward, and investment.

1

The Habit Zone

When I run, I zone out. I don’t think about what my body is doing and my mind usually wanders elsewhere. I find it relaxing and refreshing, and run about three mornings each week. Recently, I needed to take an overseas client call during my usual morning run time. “No biggie,” I thought. “I can run in the evening instead.” However, the time shift created some peculiar behaviors that night.

I left the house for my run at dusk and as I was about to pass a woman taking out her trash, she made eye contact and smiled. I politely saluted her with “Good morning!” and then caught my mistake: “I mean, good evening! Sorry!” I corrected myself, realizing I was about ten hours off. She furrowed her brow and cracked a nervous smile.

Slightly embarrassed, I noted how my mind had been oblivious to the time of day. I chided myself not to do it again, but within a few minutes I passed another runner and again—as if possessed—I blurted out, “Good morning!” What was going on?

Back home, during my normal post-run shower, my mind began to wander again as it often does when I bathe. My brain’s autopilot switch turned on and I proceeded with my daily routine, unaware of my actions.

It wasn’t until I felt the nick of the razor cutting my face that I realized I had lathered up and started shaving. Although it is something I do every morning, shaving was painfully unnecessary in the evening. And yet I’d done it anyway, unknowingly.

The evening version of my morning run had triggered a behavioral script that instructed my body to carry out my usual run-related activities—all without mindful awareness. Such is the nature of ingrained habits—behaviors done with little or no conscious thought—which, by some estimates, guide nearly half of our daily actions.1

Habits are one of the ways the brain learns complex behaviors. Neuroscientists believe habits give us the ability to focus our attention on other things by storing automatic responses in the basal ganglia, an area of the brain associated with involuntary actions.2

Habits form when the brain takes a shortcut and stops actively deliberating over what to do next.3 The brain quickly learns to codify behaviors that provide a solution to whatever situation it encounters.

Most helpful customer reviews

152 of 157 people found the following review helpful.
This is the absolute best book on product development I've ever read
By J. Walnes
If you're trying to build the next big app, you need user engagement. This book lays down a model building engagement by having users constantly return to your app. In the beginning this is prompted, but eventually it'll become instinct. This is how viral loops are formed.

It lays out the "Hook Model", a basic framework of the 4 key stages of each loop:

1. Trigger: How does the loop initiate? In the beginning this may be through external triggers (such as an email, notification, icon badge, etc) but through successive loops the user eventually creates internal triggers where a particular thought or emotion will send them back to your product.

2. Action: Once the user is aware they need to use your product (through the trigger), what it the simplest action they can perform to get some kind of reward. For example a Facebook "Like".

3. Variable reward: How are they rewarded for this behavior? This could be social validation (e.g. "my friends approve!"), collection of material resources (e.g. add a photo to a collection) or personal gratification (e.g. inbox zero). The "variable" part is important - rewards should not always be predictable, encouraging users to repeat the cycle.

4. Investment: Finally, the user needs to put something back in to increase the chance of repeating the loop. This could be content (e.g. a book in your Kindle), user entered data (e.g. profile information or linked accounts), reputation (e.g. something to gain a 5 star seller review), or a learned skill (e.g. I'm now really good at this software program). The investment also sets up the trigger to for the next cycle of the loop.

This book is a really easy read. I wanted something that would get to the crux of the problem and set out a practical framework of how to apply it with examples, without being overly verbose on history and research. It delivered.

20 of 20 people found the following review helpful.
A must-read! Super inspiring and down-to-earth
By Zornitsa Tomova
"Hooked" presents a simple, yet very useful model to channel your thoughts when building a product you want to get in the hands of millions. It's quick to read (only 140 pages), to-the-point and made a world of difference to our concept&design challenges. We used it a lot to model the behavior of our users and figure out specific areas we missed and needed to focus on in order to get engagement.

Another great value of the book is the in-depth analysis of the hooks we are subject to every day (in Twitter, Facebook, Pinterest, Instagram etc). As you go around the everyday loop you know so well from the user perspective, you see in a structured way the other side of the coin. The side of the people who know how to design behavior patterns and make others tick.

I closed 'Hooked' with a much better understanding of social&scalable products and a lot of interesting ideas for what our team is building. These came from the numerous examples and case studies, as well as the structured questions you can answer at the end of each chapter.

If you'd like to learn about habits and how they are built&changed in general, I'd recommend 'The Power of Habit' book by Charles Duhigg. If you want to understand how habits are formed in the world of technology, startups and software and mobile products, "Hooked" is the book for you. It's built on the same solid research base, yet much closer to practice and much more relevant to today's tech world.

Thank you Nir Eyal for this amazing book!

32 of 33 people found the following review helpful.
Must read for product/UX designer
By dsetia_1
As a designer, I'm always interested in user's behavior and motivation. This book provides insights for both in a way that's well structured (hook model as a framework).

I also appreciate the real world examples and stories that show the concepts discussed in action.

This book already changed my design approach and thinking and I'm sure that I'll be using this book as a reference as I do my work.

See all 897 customer reviews...

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Kamis, 17 November 2011

[Q573.Ebook] Download Typography for Lawyers 2nd, by Matthew Butterick, Bryan Garner (Foreword)

Download Typography for Lawyers 2nd, by Matthew Butterick, Bryan Garner (Foreword)

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Typography for Lawyers 2nd, by Matthew Butterick, Bryan Garner (Foreword)

Typography for Lawyers 2nd, by Matthew Butterick, Bryan Garner (Foreword)



Typography for Lawyers 2nd, by Matthew Butterick, Bryan Garner (Foreword)

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Typography for Lawyers 2nd, by Matthew Butterick, Bryan Garner (Foreword)

If Matthew Butterick didn't exist, it would be necessary to invent him. From the foreword by Bryan A. Garner Originally released to great acclaim in 2010, Typography for Lawyers was the first guide to the essentials of typography aimed specifically at lawyers. Author Matthew Butterick, an attorney and Harvard-trained typographer, dispelled the myth that legal documents are incompatible with excellent typography. Butterick explained how to get professional results with the tools you already have quickly and easily. Revised and updated, Typography for Lawyers 2nd builds on the topics and tutorials included in the first edition with 20 pages of new material. The second edition includes: - New topics such as email, footnotes, alternate figures, and OpenType features. - Advice for presentations, contracts, grids of numbers, and court opinions. - Technical tips covering the newest versions of Word and WordPerfect for Windows and OS X. - New font recommendations, including two that are free. - New essays on the font copyrights, screen-reading considerations, and typographic disputes that have reached the courts. - A refreshed layout, featuring type features designed by the author.

  • Sales Rank: #89268 in Books
  • Published on: 2015-11-02
  • Original language: English
  • Dimensions: 8.25" h x 7.00" w x .50" l, .95 pounds
  • Binding: Paperback
  • 240 pages

Review
Butterick's book is for far more than litigators. A quick, thorough guide, this text offers much to typographic novices and experts alike. The book begins with a litany of sound arguments about why typography matters, and why it should be looked at as crucial to the law profession. But needless to say, nearly all the advice presented herein is equally applicable to writers or any professional services-based small business, not to mention graphic designers, students, and type mavens. --Nick Cox, Book Review: Typography for Lawyers

Butterick's premise is that typography in legal documents should be held to the same standards as any professionally published material, because legal documents are professionally published material. There's a wealth of information that I wish I had had access to long before now. ... That's why Typography for Lawyers is such a godsend. --Ernie Svenson, Typography matters, especially for lawyers

Typography for Lawyers is filled with nuggets, rationales and mechanics to make our papers look better. No, they won't make a loser appeal into a winner, but like wearing a decent suit to court, or polishing your shoes, it's one less detriment and one more benefit. Butterick's point, and mine, is that there's no good reason not to do it as well as it can be done. The book is a quick read, and one to keep on hand for reference, kinda like the Blue Book, the Essential Chester Barnard and Strunk & White. --Scott Grennfield, Book Review: Typography for Lawyers

About the Author
Matthew Butterick got his degree in design and typography from Harvard. He began his career as a font designer in Boston. At the beginning of the Internet era, Butterick started Atomic Vision, a website-design company in San Francisco. Later, he attended UCLA law school and became a member of the California bar. In 2012, Butterick received the Legal Writing Institute s Golden Pen Award for Typography for Lawyers. Butterick's other projects include Practical Typography, an online book (practicaltypography.com), the fonts Equity, Concourse, Triplicate, and Advocate, and Pollen, software for publishing electronic books (pollenpub.com). Butterick lives in Los Angeles with his wife Jessica and Roxy the boxer.

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76 of 77 people found the following review helpful.
Lawyer? Ingest this.
By Andrew Lahser
There are two things lawyers use daily: a chair and a word processor. Smart lawyers get comfortable with both. For me, adjusting my chair is straightforward. Adjusting my word processor (and my word processing habit) is not.

Butterick helps you make the adjustment from the typewriter rules that you learned in school. As a result, your documents will have predictable style. Your document's style will clearly guide your reader. Will this make your document more persuasive? Yes, with surprisingly little work.

If you are still not sure whether you should buy this book, just spend a little time at the companion website: typographyforlawyers.com. The advantages of the book over the website are three: better guidance for choosing a professional font, more examples of before/after, and word processor specific advice. The only thing missing is CLE credit.

Finally, I spent about 2 hours on the website and 4 hours with the book. This included the time spent modifying my default templates, fiddling with word processor defaults, buying & installing fonts, and incorporating the advice into my workflow. Looking at documents that I create now, I feel great about the return on the time invested.

9 of 9 people found the following review helpful.
Indispensable
By Clovis
ESSENTIAL BOOK FOR ALL WRITERS
Believe it or not, I was not going to write a review for this book. I really do not know how or why I select the few books that I do to review. The exception, however, is TYPOGRAPHY FOR LAWYERS by Matthew Butterick. I am writing this review for those interested in improving the quality of their writing. As for myself, this book has changed (improved) everything with my writing. All of my documents—memos, marketing materials, letters, motions—have been improved because of this treasure. I frequently use two books: (1) The Redbook by Garner and (2) Typography for Lawyers by Butterick. I truly do not know how to say it other than as plainly and clearly as possible: indispensable. No amount of praise could do this book justice.

Butterick's guidance on line spacing, fonts, and point sizes, among other things, is excellent. I do not necessarily always agree with Butterick—margins, tabs, line length, three-level decimals (as pointed out by Garner in the foreword). But my disagreements are few. It is not that he is "wrong"; it is just that I disagree with some of his rules. Nevertheless, I did break my habit of using two spaces after sentences.

I also disagree with Butterick that "implementing good typography is often a chore and a bore" (p. 165). It has been fun, and the end product of better documents is its own reward.

PRACTICAL TIPS
Butterick does quite an extraordinary job of providing clear, practical tips on how to improve your writing. He provides the specific steps for all of the major word-processing platforms. Everything from boldface to italics to apostrophes to kerning is explained with specific, practical information to implement improvements in your writing immediately. I could elaborate further, but I defer to Butterick's website. The website provides free content and samples for you to take a look at. In other words, Butterick does not simply explain what improvements you should implement; he shows you how.

PROFESSIONAL WRITING REQUIRES KNOWLEDGE OF TYPOGRAPHY
I must say that there is a certain … presentation to the practice of law. That is, our writing requires a certain professionalism—more so than other professions. If you are an attorney, you want your documents to exceed expectations in professionalism and readability. Butterick will teach you how to achieve that.

UNLEARN LAW SCHOOL
Butterick does not mention it. But I will. The legal writing "skills" that future lawyers acquire and develop in law school are detrimental to their practice. Lawyers tend to think that everything we write is important, and we therefore put EVERYTHING IN CAPS AND BOLDFACE. But the caps and boldface actually ensure that people will quickly read through or ignore such text altogether, thereby defeating the very purpose of caps and boldface.

SUGGESTION TO BUTTERICK: FORM BOOK
Butterick should write a form book. Draft a book with many and varied examples with different formatting, fonts, etc. Provide a website, as with this book, and let people download examples in different formats that meet the requirements of different jurisdictions.

BOOK IS TOO CHEAP
I never thought of this before about any book, but this is the first underpriced book that I have ever read—in my life. And the irony is that I vacillated when trying to decide if I should purchase this book or not. Perhaps the reason why I reluctantly wrote a review for this book is that I am not sure I want too many people to get a hold of this book. How else am I to distinguish my writing if everyone reads this book and makes improvements? It is actually pretty amazing how much improvement can be made to your writing by implementing the points in the book.

20 of 22 people found the following review helpful.
A fanastic resource for attorneys and others
By Legal Writing Pro
This book gives great guidance on everything from how to format dashes to how to find the ideal line spacing. Another interesting feature is an annotated guide to the pros and cons of various fonts. The author even offers alternatives to Times New Roman and other popular fonts that the Seventh Circuit and other courts have criticized.

One of the most interesting observations comes at the end, where the author notes that the bland, homogenous appearance of most filings stems not from court rules but from the "bandwagon effect." Butterick encourages lawyers to explore instead the "typographical latitude" that nearly all courts allow. The endgame, he reminds us, is to make filings readable, if not enjoyable.

I also appreciated the hints on letterhead and business cards, Bryan Garner's witty foreword, and the author's pervasive passion for his subject.

All in all, a terrific resource that is sure to become the definitive guide to typography in the legal profession and perhaps beyond.

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Senin, 14 November 2011

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Everyday Protection for Everyday People 2, by Erik Lawrence

This handbook is chocked full of useful protection/security tips for the average person living in the modern age. Continually updated and refreshed with new tactics to live a safer and more secure life without taking it all too far. Author is a former Special Forces soldier and Security Company owner who have consulted and taught this subject for decades. Perfect travel book, gift for a loved one or the young kid who knows it all headed off to college.

  • Sales Rank: #1952252 in eBooks
  • Published on: 2015-01-20
  • Released on: 2015-01-20
  • Format: Kindle eBook

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0 of 1 people found the following review helpful.
Three Stars
By Len
A lot of information. Some not so applicable.

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Kamis, 10 November 2011

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Translations: A Play (Faber Paperbacks), by Brian Friel

The action takes place in late August 1833 at a hedge-school in the townland of Baile Beag, an Irish-speaking community in County Donegal. In a nearby field camps a recently arrived detachment of the Royal Engineers, making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names have to be recorded and rendered into English. In examining the effects of this operation on the lives of a small group, Brian Friel skillfully reveals the far-reaching personal and cultural effects of an action which is at first sight purely administrative.

  • Sales Rank: #267961 in Books
  • Brand: Faber & Faber
  • Published on: 1995-03-16
  • Released on: 1995-03-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.68" h x .32" w x 5.06" l, .20 pounds
  • Binding: Paperback
  • 112 pages
Features
  • Great product!

Review

“Translations is a modern classic. It engages the intellect as well as the heart, and achieves a profound political and philosophical resonance through the detailed examination of individual lives, of particular people in particular place and time.” ―Daily Telegraph

“This is Brian Friel's finest play, his most deeply thought and felt, the most deeply involved with Ireland but also the most universal: haunting and hard, lyrical and erudite, bitter and forgiving, both praise and lament.” ―Sunday Times

About the Author

Brian Friel was born in Omagh, County Tyrone (Northern Ireland) in 1929. He received his college education in Derry, Maynooth and Belfast and taught at various schools in and around Derry from 1950 to 1960. He is the author of many plays that have taken their place in the canon of Irish Literature, including Philadelphia, Here I Come! (1964), Lovers (1967), Translations (1980), The Communication Cord (1982), and Dancing at Lughnasa (1990). In 1980 he founded the touring theatre company, Field Day, with Stephen Rea.

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5 of 5 people found the following review helpful.
the loss of languages
By Kate
an eloquent, moving play about the love of one's native language (Irish) and the plight of lost languages (Latin, ancient Greek, and so on). Of course, it was written after the largely successful revival of the Irish language. There's your delayed "happy ending." (It's not the same, though, not by a long shot.)

the nice thing about friel's play is that he conveys the machine of colonialism with the appropriate complexity--it isn't "bad Englishman, good Irishman," but something much more complex. sometimes people like Owen, unwittingly or not, sell out their own. Sometimes others, for example the English soldier here, are part of the colonial apparatus, but not consciously or intentionally--and such people may end up being the colonized culture's greatest champions.

I liked it better than Dancing at Lughnasa. It reads well--and a lot of plays don't.

0 of 0 people found the following review helpful.
Five Stars
By PatB
Great product and service, thanks.

0 of 0 people found the following review helpful.
Five Stars
By Francis A. Carbine
Print to small to read. Pages discolored.

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