Jumat, 28 Mei 2010

[B608.Ebook] Ebook Retribution (The Lone Riders MC Series Book 2), by Michelle Betham

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Retribution (The Lone Riders MC Series Book 2), by Michelle Betham

*Retribution is the second book in The Lone Riders MC series. It could, feasibly, be read as a stand-alone, but it would be advisable to read book one – ‘Revolution’ – first as some events that took place in that book are tied in with elements of the story in this next instalment.*

Mia Rose has been sent to Paradise for her own safety; to escape a violent marriage, and a man who will stop at nothing to make sure she never leaves his side. Having lived her life within the confines of The Lone Riders Newcastle chapter in north-east England, the move to California is a new beginning for Mia - it has to be, whether she wants it or not. Because she really doesn't have much choice. But for Charlie Hart – President of the Newcastle chapter, and one of the founding members of The Lone Riders MC – it’s a bittersweet act, exiling Mia to another country. And is sending her there, to Paradise, something he should have thought harder about? Given the secret he’s harboured for almost thirty years…

Ben Salter is the Lone Riders’ lawyer – a man who’s looked after the Paradise chapter’s legal affairs for over five years. But he’s also a man with a past he’s worked hard to put aside, a past few know the full extent of; a world he knows he should never go back to. But when he’s given the task of helping the club rid Mia of her violent husband, he finds himself being pulled further back towards that world. And closer to the woman he’s supposed to be helping…

Things have settled down for The Lone Riders since Coby Walker took over as President. All is well within a club that’s seen its share of recent troubles, and an air of calm and peace reign over the Paradise compound. But Mia’s arrival kick-starts a chain of events that threaten to unravel that peace. And as Ben’s world slowly starts to change, and Mia’s past catches up with her in the most dangerous way possible, behind the scenes another sinister act is being carefully planned that could rock the Lone Riders all over again as more shocking secrets are revealed, and a terrifying act of retribution sees lives being changed forever…

*Please be aware that this book, whilst tying up some elements of the story, does leave things open for its continuation in ‘Resurrection’, book #3 in the series, which will be released July 28th 2015.*

***Retribution contains strong language, adult content and some graphic sex scenes. It is therefore suitable only for readers 17+.***

  • Sales Rank: #448914 in eBooks
  • Published on: 2015-03-31
  • Released on: 2015-03-31
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Wonderful read
By Danena
This is turning out to be a great series to read. This book has great characters and a story line that keeps you reading. Lots of action, drama and surprise twist to make this a great read. Rated very good

0 of 0 people found the following review helpful.
Love this series
By Melissa
The twist and turns are unexpected and keep you reading! Not just another MC love story! An enjoyable read, for sure!

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Jumat, 21 Mei 2010

[N719.Ebook] Download PDF Fallen Idols (Jack Garrett and Laura McGanity crime thriller Book 1), by Neil White

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‘Fallen Idols has been hailed as a stunning debut’.
The Blackpool Gazette

‘Fallen Idols…has all the hallmarks of a great read for crime-thriller fans with celebrity killings, conspiracies, revenge and even a hint of romance’.
The Weekly News

‘… a whirlwind of a novel … a serious contender to match the giants of the crime fiction world’
Crimesquad.com

‘This is a story worth reading ... Neil White will be someone to watch for’
The Bookbag.com

Nominated for the Books to Talk About Award at the World Book Day Awards.

A Premiership footballer is shot dead in cold blood on a busy London street, and a country is soon gripped by terror. Who is behind this apparently motiveless killing – and who’s next in the firing line? Crime-beat reporter Jack Garrett who’s left behind his Lancashire roots for the glitz, glamour, the seediness and squalor of the capital, is convinced this is no celebrity stalker.

Aided by DC Laura McGanity, desperately trying to juggle police life with motherhood and her feelings for Jack, the trail takes them back to Jack’s home town of Turner’s Fold – and his past. He uncovers a small town conspiracy which involves his own father and the connection of the spate of recent murders to the brutal rape and murder of a young girl ten years earlier and 300 miles away.

Conspiracy, revenge and the high price of fame all combine in the stunning debut from a dazzling new voice in crime fiction.

Learn more about Neil White at his websites:
USA: www.neilwhite.info
UK: www.neilwhite.net

Follow Neil on Twitter: @neilwhiteinusa or @neilwhite1965

  • Sales Rank: #485645 in eBooks
  • Published on: 2013-12-12
  • Released on: 2013-12-12
  • Format: Kindle eBook

Review
'Fallen Idols has been hailed as a stunning debut'. The Blackpool Gazette 'Fallen Idols!has all the hallmarks of a great read for crime-thriller fans with celebrity killings, conspiracies, revenge and even a hint of romance'. The Weekly News '! a whirlwind of a novel!a serious contender to match the giants of the crime fiction world' Crimesquad.com 'a crackingly assured debut!my most riveting read of 2007' Ewan Wilson, Waterstone's Sauchiehall St. Glasgow

About the Author
Born above a shoe shop in the mid-1960s, Neil spent most of his childhood in Wakefield in West Yorkshire as his father pursued a career in the shoe trade. This took Neil to Bridlington in his teens, where he failed all his exams and discovered that doing nothing soon turns into long-term unemployment. Re-inventing himself, Neil returned to education in his 20s, qualified as a solicitor when he was 30, and now spends his days in the courtroom and his evenings writing crime fiction.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Promissing debut
By Srdjan Pesic
Neil White's promissing debut " Fallen Idols" is a strong imaginative crime novel. There is a serial killer, ten year old murder, brave hero and his newfound love interest. Unfortunately there is so much more than that, so the first book seems little overblown and in a dire need of a firmer editor.
For a new writer it can be hard to excercise patience and to resist the temptation to include just about everything that comes to mind. That is editor's job.
I am looking forward to another book by Neil White, but with a better and choosier editor.

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Great read

0 of 2 people found the following review helpful.
Disjointed
By Bob
There was a lot of potential in this book but because of the weakness of plot and the way it was written from the perspective of a number of different characters it was not an easy read and I often found myself wondering who was being written about. It may not have been as bad with a paperback where I could thumb back through the pages, not an easy task with the Kindle.
The plot initially makes little sense as to why someone should be able to make a footballer confess to a murder he committed by killing other footballers still escapes me however further into the book thing come together and at the end is a nice twist that I did not see coming. I also found that from the descriptions in the book I could not visualise the characters which for me makes a book not very interesting.

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Sabtu, 15 Mei 2010

[X770.Ebook] Ebook Download Teaching Artist at Work, A: Theatre with Young People in Educational Settings, by Barbara McKean

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    The works presented are moving and impressive; their authenticity and tone in harmony with the story teller's voice. The story itself may open new windows ... for those intent on enriching and humanizing what occurs in contemporary schools.
    - Maxine Greene
    A fabulous book for arts and theater education.
    -Merryl Goldberg Author of Integrating the Arts, Third Edition

Are you a theatre teaching artist, or considering it? No matter what kind of educational setting you're in, the theatre skills you teach are intimately linked to your own artistry: you've got to know how to teach from your own practice while you learn to practice the art of teaching. The key is discovering how the educational setting, the students, and the stage link.

A Teaching Artist at Work helps theatre teaching artists develop connections between their pedagogical and artistic selves. The book presents a framework for thinking about the work of teaching artists in general and theatre teaching artists in particular. Through descriptive examinations of practice, the book also provides theatre teaching artists and those who prepare and work beside them with concrete examples of three theatre-education projects in three different educational settings as well as the collaborative processes that helped them succeed. Replicable in other settings-such as community outreach programs, after school and summer programs hosted by professional theatres, and not-for-profit educational theatres-these projects provide a jumping-off point for others who work to create interesting theatre curriculum.

In any educational setting, theatre teaching artists create spaces where teachers and students can envision a new, different, and exciting way of learning and doing that they can apply to theatre education and many other content areas. With emphasis on linking personal artistry with pedagogical artistry and examples drawn from McKean's own practice, A Teaching Artist At Work is an invaluable resource for teaching artists and the arts-education community.

  • Sales Rank: #1748377 in Books
  • Published on: 2006-07-14
  • Released on: 2006-07-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .37" w x 6.00" l, .54 pounds
  • Binding: Paperback
  • 176 pages

About the Author
Barbara McKean is currently an assistant professor in theatre education and outreach for the School of Theatre Arts at the University of Arizona. Before teaching at the University level, Bobbi was a professional actress and teaching artist. She served as Director of Education at the Seattle Children's Theatre and as Artistic Director of the Seattle Peace Theatre, where she directed collaborations with young people and artists from Seattle, Moscow, and Zurich.

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Kamis, 13 Mei 2010

[J727.Ebook] Free Ebook Basic Accounting (Teach Yourself), by Nishat Azmat, Andy Lymer

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Basic Accounting is a complete, step-by-step course in elementary accounting. Giving clear and concise explanations of accounting principles and practice including PAYE, cashflow statements, accounting for share capital, accounting standards and non-financial reporting, it is perfect for the newcomer to basic accounting, the first- level accounting student or anybody needing to brush up their accounting skills.
No prior knowledge of bookkeeping or accounting is assumed. Clear explanations, diagrams and worked examples enable you to master the basic principles then apply them to practical examples to consolidate and test your knowledge.

  • Sales Rank: #1518920 in Books
  • Published on: 2016-06-07
  • Released on: 2016-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x 1.00" w x 5.00" l, .65 pounds
  • Binding: Paperback
  • 352 pages

About the Author
Andy Lymer is Head of Department of Accounting and Finance at University of Birmingham. He also heads up Lymer & Associates, undertaking numerous research, consultancy and publishing projects.

Nishat Azmat is a Certified Accountant teaching at the University of Birmingham.

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Selasa, 04 Mei 2010

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GOYA: ENGRAVINGS AND LITHOGRAPHS (VOLUMES 1 & 2), by Thomas Harris

  • Sales Rank: #7608776 in Books
  • Published on: 1964
  • Number of items: 1
  • Binding: Hardcover

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Minggu, 02 Mei 2010

[F553.Ebook] Ebook Pregnancy Blues: What Every Woman Needs to Know about Depression During Pregnancy, by Shaila Kulkarni Misri

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Pregnancy Blues: What Every Woman Needs to Know about Depression During Pregnancy, by Shaila Kulkarni Misri

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Pregnancy Blues: What Every Woman Needs to Know about Depression During Pregnancy, by Shaila Kulkarni Misri

It should be a time of joyous anticipation–the happiest time in a woman’s life. But for many women, the joys of pregnancy are clouded by feelings of fear, sadness, and confusion. And unlike postpartum depression, which is widely portrayed in the media and embraced by the medical community, depression during pregnancy has been rarely discussed and often misunderstood–until now. In this groundbreaking book–the first to focus exclusively on depression in pregnancy–Dr. Shaila Kulkarni Misri, a leading reproductive psychiatrist, draws on her twenty-five years of clinical practice and research to offer hope, help, and healing–as well as a provocative, myth-shattering examination of a subject that has too long been shrouded in darkness.

The numbers are surprising: up to 70 percent of pregnant women experience some degree of depressive symptoms, and of those, 12 percent meet the diagnostic criteria for major depression. Although it is at least as common as postpartum depression, which occurs after a child’s birth, pregnancy-related depression is often cloaked in silence, shame, and denial. Pregnancy Blues lifts the veil on this heartbreaking–and very treatable–
illness, examining the key social and biological factors that can come together during pregnancy to create a climate in which depression and anxiety thrive, as well as offering the many effective treatments that are available. Discover:

• How to recognize the signs and symptoms of depression–and know when to seek help
• The role of female hormones: why women are more vulnerable to depression than men
• How depression can “hide” behind physical complaints, such as back, stomach, or even chest pain
• The unspoken connection between infertility and depression
• The antidepressant controversy: the facts on specific drugs, their safety–and when medication is the right choice
• Breastfeeding and medication–the risks and benefits

Plus helpful self-tests and resources, information on alternative treatment options–from therapy to acupuncture–and much more. A work of daring and compassion, Pregnancy Blues challenges the underlying traditions and beliefs surrounding pregnancy and motherhood–and explores how those misconceptions have led to the drastic underdiagnosis and undertreatment of depression during pregnancy. A must-read for women and those who love them, Pregnancy Blues is at once an extraordinary roadmap to healing and an eye-opening report on a medical issue that no woman can afford to miss.


From the Hardcover edition.

  • Sales Rank: #438069 in eBooks
  • Published on: 2005-08-30
  • Released on: 2005-08-30
  • Format: Kindle eBook

Review
"This groundbreaking and important book brings pregnancy-related depression out of the closet and offers effective, compassionate, and scientifically accurate solutions that can help alleviate the suffering of millions of pregnant women and the babies they are carrying."
--Christiane Northrup, M.D.


From the Hardcover edition.

About the Author
Shaila Kulkarni Misri, MD, Frcpc, is one of the leading reproductive psychiatrists in North America and is internationally recognized as a pioneer in women’s mental health and reproductive issues. She is the founder and director of Reproductive Mental Health at both St. Paul’s Hospital and BC Women’s Hospital & Health Centre in Vancouver, and Clinical Professor of Psychiatry and Obstetrics and Gynecology at the University of British Columbia, Canada.

Excerpt. � Reprinted by permission. All rights reserved.
1

Great Expectations

CULTURAL MYTHS, CUSTOMS, AMBIGUITIES, AND MISCONCEPTIONS OF WOMANHOOD, PREGNANCY, AND MOTHERHOOD

If some enterprising salesperson were to create a pregnant woman’s coloring book aimed at the North American market, it would surely come packaged with a box containing nothing but pastel crayons with names like Blissful Blue, Perfect Pink, and Mother’s Mauve. No Black Cloud, Blue Funk, or Red Rage in that crayon box! And the mothers outlined in the book for coloring would all be smiling serenely, gazing lovingly into the eyes of their partner—an equally blissed-out expectant father—and, of course, looking nothing less than beautiful.

If that sounds like the Hollywood image of pregnancy, it is certainly the one that’s been sold to Western women, and that Western culture has naively bought into. For the majority of women, it is probably even a fair approximation of the truth. It is not, however, the image of pregnancy that I see every day. And if we look a little more closely at the myths and mixed messages that have historically surrounded fertility, family, and femininity not only in our society but in cultures throughout the world, we can see that—as is so often the case with the images Hollywood has for sale—this is one that may have been meant for viewing through rose-colored glasses.

To begin close to home, let’s take a quick look back at the history of our own North American culture as it has grown from a mainly agrarian to a mainly technological society. In times past, when we tilled fields, worked the land, and subsisted mainly on what a single family could produce for both sale and sustenance, children were important assets. As farmers, ranchers, or even local shopkeepers, we needed those extra hands to work alongside us and help to support us. Fertility and motherhood were, therefore, valued as well, and a woman’s primary role, aside from taking care of the family homestead, was to produce and nurture children. “Mother” was a prized and universally recognized job title.

I know that for many modern women, reading about the difficult and often isolated lives of those pioneer and farm wives will immediately bring to mind the now-classic advertising slogan “You’ve come a long way, baby!” And indeed we have. But that also begs the question “Where have we arrived?” In many ways, of course, the lives of twenty-first-century women are dramatically better. And it’s certainly true that, from a medical perspective, obstetrical care is better and more universally available than ever before. But what about the lives of mothers, and even the value we put on motherhood itself?

For the majority of Western women today, motherhood, rather than being a primary function, has become no more than an add-on. Even those of us who truly yearn for children, who unwaveringly wish for the chance to be mothers, are unlikely either to perceive motherhood as our only goal or to have the luxury of enjoying it as our only job title.

In a technologically driven society, pregnancy is too often perceived as an interruption of or an addition to other, more valued activities. At best, we are ambivalent about where pregnancy and motherhood belong on our list of priorities. “Stay-at-home mom” and “mommy track” are terms that have entered our vocabulary with a kind of stigma attached. Women who choose (and have the luxury of choosing) to opt out of the job market or limit their career path in order to spend more time with their children are often marginalized by and isolated from their working peers. Those who choose to pursue both career and motherhood, on the other hand, are often made to explain or justify their choice to those who believe they “should” stay at home. And for the majority of women who simply do not have a choice, pregnancy and motherhood present financial as well as logistical burdens that can be overwhelming.

In fact, throughout history and across cultural boundaries, woman’s unique ability to bear children has put her in the position of being both worshiped and feared; it has been her source of power and her burden, a blessing and a curse. Religion and mythology, which brim not only with female fertility figures such as the Buddhist Kwan Yin, the Hindu Lakshmi, and the Egyptian Isis but also with seductresses such as Lilith and Diana, reflect this dichotomy. Even the Virgin Mary, the most universally recognized mother figure of them all, is not only blessed to be the mother of the Christ, worshiped as the intermediary between the human and the divine, but also born to bear the burden of becoming the Mater Dolorosa, the mother who weeps for the loss of her only child and the sins of humanity.

This ambiguity or dual nature inherent in the concept of “womanhood” is also reflected in religious and cultural issues related to women’s bodily functions. The Orthodox Jewish community, for example, considers a menstruating woman unclean. She is forbidden to have sexual relations with her husband and required, when her period is over, to immerse herself in a ritual bath not once but three times to ensure that any lingering impurities are washed away. Here we can see the duality that exists between woman as the bearer of children and woman as temptress: if she is menstruating, she cannot become pregnant, her potential for motherhood is temporarily negated, and so for her husband to have sexual relations with her during this time would be to give in to her powers of seduction—to be, in a sense, defiled by her.

Similarly, in traditional Hindu culture, women were considered both inferior to men and, at the same time, capable of seducing them away from ascetic contemplation and spiritual purity. Only through motherhood did they cement and ensure their power base through their almost total influence over their children and the household.

In these and other traditional cultures, motherhood not only endows women with a kind of retrofitted purity but also initiates them into a special company of women. In many communities throughout Asia, Africa, and South America women generally give birth surrounded by other women, and following the delivery there is a traditional period of confinement during which both mother and child are tended and nurtured by women.

In many cultures, there is a special birthing place set aside, which only women can enter, and very often—such as among the women of Yemen, the Gbaya of Congo, or the Seri Indians of Mexico—that can mean as many as fifteen female friends, neighbors, and family mem- bers in addition to the midwife present to witness the birth. Even in Elizabethan England, men were banned from the birthing chamber while female friends, relatives, and neighbors, known as “gossips,” were invited to attend. Some, in fact, might spend days or even weeks after the birth attending the mother in her room.

This “lying-in” period is still practiced in many cultures. In Cuba, for example, the new mother and her infant remain inside the home for forty-one days, during which time women from the family and the community are responsible for taking care of them. In India, women are not expected to return to their normal household chores for more than a month. Bedouin women stay home for forty days, are not allowed to cook or do housework, and are expected to rest and eat well. In China the traditional period of confinement is one month, in Malaysia it is forty-four days, and among the Igbo people of southeastern Nigeria it is one lunar month, during which time the mother is relieved of all chores, given special foods, and nursed by her own mother or an older sister.

Although these are certainly periods set aside for mother and baby to bond (in most instances the infant actually remains in bed with the mother and can nurse at will) and for the mother to recover, they also mark another rite of passage—from girlhood to womanhood or, seen from another perspective, from seductress to saint. It should be pointed out, in fact, that in at least some cultures, the period of confinement is also considered a time of repurification following the “pollution” of childbirth.

But how do such practices relate to pregnancy and motherhood in our own culture? Again, I think it is enlightening to examine this question from more than one perspective.

On one hand, although the vast majority of modern Western women deliver their babies in far more sterile conditions, we also miss out on the benefits to be derived from the closeness and care of other women. For the most part, we give birth surrounded not by those who are necessarily closest and most caring but by paid professionals and coldly beeping machinery. Our “lying-in” period in the hospital is barely twenty-four hours, after which we are sent home to cope as best we can. We might have a mother who is both able and willing to help out, but even if we are so lucky, her stay generally lasts no more than a week or two. We might be granted maternity leave by our employer, but we generally spend that time in relative isolation. Our period of transition is spent not being coddled and cared for but in 24/7 on-the-job training. We are expected either to know instinctively how to mother or to learn the ropes by reading books as we muddle along. At the same time, we are undergoing another important—and not necessarily happy—transition with relation to our own sense of self.

It’s hard, when we’re usually exhausted, still overweight, and often bedraggled, wearing a nursing bra or wiping formula from our clothing, to remember who we were just nine months before. In fact, many of us are undergoing our own personal reassessment and seeing ourselves as no longer seductive, if not quite as saints (although from time to time we might consider ourselves deserving of sainthood).

The messages we receive from the media may suggest that we ought to be self-confidently sexual when pregnant—like Brooke Shields on the cover of Vogue or Demi Moore, nude and in full body paint, adorning Vanity Fair. Then, having given birth, we ought to be “ready for our close-up,” as coiffed and composed as Gwyneth Paltrow, as skinny as Sarah Jessica Parker, as coolly elegant as Catherine Zeta-Jones. But do these images really make us feel better about ourselves, or do they just remind us that we are somehow not living up to expectations? Perhaps we’d be better off if, like women in earlier times and more traditional cultures, we had a clearer picture of our new role and place in the world. We’d certainly be better off if motherhood, in and of itself, were looked upon with the kind of dignity and respect it is shown in other cultures.

But then again, is this not just one more of the mixed messages women constantly receive about their value as bearers of children? Even in societies where the mother’s role is recognized as intrinsically worthy of respect, girl children—the future childbearers and mothers, it should be pointed out—are afforded second-class status. In some parts of India a boy baby is still welcomed as a future helper and contributor to the family’s wealth, while a girl, assuming she is even allowed to survive and remain in her family of birth, is looked upon as a burden and an additional drain on the family’s income. And in China the government-mandated one-child population-control policy has led to a precipitous decline in the ratio of girl to boy babies. Indeed, in that country, where for centuries male offspring have represented continuity of lineage and financial support, the abortion or infanticide of girls has created a situation where there will soon not be enough young women to produce the prized male heirs of the future. And the legacy of this centuries-old gender bias is still seen, at least ceremonially, even in Great Britain, where the birth of a male heir to the throne is greeted with a 101-gun salute while a female heir rates no more than 21.

We need to ask ourselves, then, what emotional and psychological effect all these conflicting images of femininity, myths of power, and messages of value (or lack thereof) might have on women, whose sole unique, biologically endowed capability is to bear and nurture children. Yes, of course, we want to think of conceiving and bringing a new life into the world as an occasion for joyous celebration—and for the majority of women, it is.

For a significant minority, however, who may have subliminally internalized the ambiguities inherent in the way society views motherhood, who may themselves be unconsciously ambivalent about the role they are about to take on, or who may become suddenly and glaringly aware of the life-changing transition they are about to undertake, pregnancy and childbirth can—and do—create the perfect emotional and biological climate for the onset of negative thoughts and feelings that lead to anxiety and even major depression. In the pages that follow we’ll be looking at the many ways in which societal pressures and expectations, internal stress, and women’s unique biology may come together to color a pregnancy in shades of gray and black.

I believe it’s time to take off those rose-colored glasses and look at a picture of pregnancy that may not be as pretty as the one that’s been painted by the media but which is, for too many women, sadly more realistic. Until we are willing to do that, we are unwittingly sentencing these women to continue hiding in plain sight, unable or unwilling to admit, perhaps even to themselves, that their experience of pregnancy is not what they’ve been taught to expect, and that what appears to be so joyful for others is for them a time of sadness, fear, and confusion. These women need to know that it doesn’t have to be that way, that there is help, and that they cannot and should not be embarrassed or afraid to get the help they need. Indeed, this book is filled with the stories of women who have come out of hiding, and who have, as a result, turned a potentially devastating experience into one that not only was manageable but also ultimately did bring them the joy of bonding with a happy, healthy baby.


From the Hardcover edition.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Amazing Essential Reference Plus enjoyable read
By Denise Magic
I love this book. There are others that have gotten awards for pregnancy and depression and I don't know why. This is the A#1 book. It is written from a multi-cultural perspective. It is not fear based but filled with great information. I have not read any other book by anyone with as much experience as this author. She sees over 3,000 women a year in her Canadian based pregnancy depression clinic. She has so many resources to share. She treats depression as a regular normal health condition. She does not act like all medicine is bad. She does not make you feel evil for selecting to take care of yourself. She is just lovely. This book has a fantastic balance of clinical information - in easy to understand language and cultural nuances of birth and pregnancy. It really takes in the whole person. I love this book. I wish I would have had it before I got pregnant or I would have had an easier pregnancy. I can't recommend this book highly enough.

2 of 3 people found the following review helpful.
Depressing...
By EC
This book made me more sad than not reading it. I think this book will work for some, it was just not my cup of tea.

5 of 14 people found the following review helpful.
never got through it
By new mom
My friend recommended this to me, and I began reading it about mid-way through my pregnancy. Instead of being informative, I found it very depressing! I decided to stop reading it and looked for more positive ways to address my depression, like exercise and visiting with friends. For those who enjoy lots of information and statistics, you may appreciate this book. I, however, did not find it useful.

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Sabtu, 01 Mei 2010

[Y255.Ebook] Get Free Ebook Metamorphoses: A New Translation, by Ovid

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Metamorphoses: A New Translation, by Ovid

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Metamorphoses: A New Translation, by Ovid

"A version that has been long awaited, and likely to become the new standard."―Michael Dirda, Washington Post

Ovid's epic poem―whose theme of change has resonated throughout the ages―is one of the most important texts of Western imagination, an inspiration from Dante's times to the present day, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid's work. Charles Martin combines a close fidelity to Ovid's text with verse that catches the speed and liveliness of the original. Martin's Metamorphoses will be the translation of choice for contemporary readers in English. This volume also includes endnotes and a glossary of people, places, and personifications.

  • Sales Rank: #24021 in Books
  • Published on: 2005-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.20" w x 5.50" l, 1.10 pounds
  • Binding: Paperback
  • 624 pages
Features
  • ISBN13: 9780393326420
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
"Smoothly readable, accurate, charming, subtle yet clear.... A lucidly fluent version of this most flowing of poems."

This translation of the Metamorphoses is all that one could wish. --Richard Wilbur

Among the accomplished translations of Ovid in our day, this version of Metamorphoses by Charles Martin elegant, witty and exuberant by turns, and epic in its span from the creation of the world to the apotheosis of Julius Caesar should now lay claim to its own distinguished ground. --Robert Fagles

Charles Martin's new translation of the Metamorphoses, the latest in a 500-year-old tradition, both gives us an Ovid for our times and reminds us that in our times Ovid is everywhere.

[Martin] has caught Ovid's sly ironies, his un-Virgilian briskness, and his own kind of tough-minded pathos, and has created a completely convincing poetic voice. The translation is a marvel. --Rosanna Warren

I read right through this translation and so exhilarated was the handling of movement and metaphor throughout that when I finished I wanted to start over.... Charles Martin is to be congratulated for a singular achievement. --William Jay Smith

Ever since Horace Gregory published his translation of The Metamorphoses in 1958, it hasn't been bettered until now. Charles Martin's muscular version in blank verse is remarkably lively and modern, the Ovid for our time. --Robert Phillips

This translation of the Metamorphoses is all that one could wish. --Richard Wilbur"

Among the accomplished translations of Ovid in our day, this version of Metamorphoses by Charles Martin elegant, witty and exuberant by turns, and epic in its span from the creation of the world to the apotheosis of Julius Caesar should now lay claim to its own distinguished ground. --Robert Fagles"

Charles Martin's new translation of the Metamorphoses, the latest in a 500-year-old tradition, both gives us an Ovid for our times and reminds us that in our times Ovid is everywhere. "

[Martin] has caught Ovid's sly ironies, his un-Virgilian briskness, and his own kind of tough-minded pathos, and has created a completely convincing poetic voice. The translation is a marvel. --Rosanna Warren"

I read right through this translation and so exhilarated was the handling of movement and metaphor throughout that when I finished I wanted to start over.... Charles Martin is to be congratulated for a singular achievement. --William Jay Smith"

Ever since Horace Gregory published his translation of The Metamorphoses in 1958, it hasn't been bettered until now. Charles Martin's muscular version in blank verse is remarkably lively and modern, the Ovid for our time. --Robert Phillips"

About the Author
Charles Martin is a poet, critic, and translator. His translation of Ovid’s Metamorphoses received the Harold Morton Landon Award from the Academy of American Poets in 2004. In 2005, he received an Award for Literature from the American Academy of Arts and Letters. He is the author of Signs & Wonders and Starting from Sleep: New and Selected Poems.

Most helpful customer reviews

75 of 81 people found the following review helpful.
A great classic and great translation
By Taka
Ovid, or Publius Ovidius Naso, justly deserves his acclaim as one of the three canonical poets of Latin literature alongside Horace and Virgil. And he knows it and doesn't bother to hide it, as he appends this bit of encomium to himself at the very end:

My work is finished now: no wrath of Jove
nor sword nor fire nor futurity
is capable of laying waste to it.
...
wherever Roman governance extends
over the subject nations of the world,
my words will be upon the people's lips
and if there is truth in poets' prophesies [sic, Quandoque bonus dormitat Homerus, as the Romans would say]
then in my fame forever I will live.

So he is the worst kind of genius: a genius who knows he is a genius. Witty, elegant, and lively, his Metamorphoses is a masterpiece of epic poetry that tells of the myriad odd transformations that mythical (and sometimes historical) figures from Orpheus and Icarus to Romulus and Julius Caesar go through. Throughout, he is delightfully and cuttingly mocking of pretty much the entire epic tradition and every great poet that came before him, including no less authors than Virgil and Homer themselves. In at least three elaborate scenes, he makes so much fun of epic battles and they are hilariously and eerily reminiscent of Quentin Tarantino's comical massacre scene in his Kill Bill Vol. 1. Hell, Ovid can be tragic, comic, moving, and sarcastic/satirical all at the same time without lacking in elegance. The poem, 15 books of 1,000 lines per book, so seamlessly integrates story after story of wildly differing genres and plots and lengths that it feels like you're reading a single monomyth without getting bored or overwhelmed. In fact, befitting its title, the stories are constantly changing and sprouting out - each little story feeding into the next and each book spilling into the next without pauses - always keeping the reader on his toe and more often than not leaving the reader breathless and reeling.

Charles Martin did a superb job translating the work. He uses free verse in rendering Latin dactylic hexameter into iambic-friendly English, and it is really good. It's lively, swift, and above all, elegant - or in other words, as Ovid ought to be. Except in the scene where the Muses battle it out with the Pierides, a.k.a. P-Airides whose verse is rendered in modern rap, the translation had everything right and good (though even the surreal rap battle scene was not so bad - just weird). If you're looking to read Ovid, buy this edition. It apparently doesn't add anything new to the original (as many editions do, rather profusely and liberally and thus preposterously), faithful to the original, and very reader-friendly. In my opinion, it belongs to the best translations of the classics.

61 of 67 people found the following review helpful.
My Workshop Participants Love this Translation!
By Amy Barr
I teach mythology and literature in translation. In my mythology section I had my students read a version of Ovid available online. They found the experience painful and dull, even though they were somewhat familiar with the story line. So, when I assigned a translation for my workshop on Ovid, I chose this one on the strength of various reviews. Its a real pleasure to have a group of students become ecstatic about a piece of ancient literature! The Lukeion Project will now being using this translation as required reading.

0 of 0 people found the following review helpful.
Approachable and Engaging
By A Customer
I am teaching this with upper-level seniors. It's approachable, engaging, and fun. My students are enjoying this piece of literature more than imagined they might. I will definitely keep this in the line-up for a few years because of the feedback I'm getting from the students.

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