Rabu, 29 Agustus 2012

[T675.Ebook] Free PDF Grand Delusion: Stalin and the German Invasion of Russia, by Gabriel Gorodetsky

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Grand Delusion: Stalin and the German Invasion of Russia, by Gabriel Gorodetsky

This important book draws on vital new archival material to unravel the mystery of Hitler's invasion of Russia in 1941 and Stalin's enigmatic behavior on the eve of the attack. Gabriel Gorodetsky challenges the currently popular view that Stalin was about to invade Germany when Hitler made a preemptive strike. He argues instead that Stalin was actually negotiating for European peace, asserting that Stalin followed an unscrupulous Realpolitik that served well-defined geopolitical interests by seeking to redress the European balance of power. Gorodetsky substantiates his argument through the most thorough scrutiny ever of Soviet archives for the period, including the files of the Russian foreign ministry, the general staff, the security forces, and the entire range of military intelligence available to Stalin at the time. According to Gorodetsky, Stalin was eagerly anticipating a peace conference where various accords imposed on Russia would be revised. But the delusion of being able to dictate a new European order blinded him to the lurking German danger, and his erroneous diagnosis of the political scene-colored by his perennial suspicion of Great Britain-led him to misconstrue the evidence of his own and Britain's intelligence services. Gorodetsky highlights the sequence of military blunders that resulted from Stalin's determination to appease Germany-blunders that provide the key to understanding the calamity that befell Russia on 22 June 1941.

  • Sales Rank: #1001826 in Books
  • Color: Grey
  • Published on: 2001-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .97" w x 5.98" l, 1.44 pounds
  • Binding: Paperback
  • 384 pages

Review
"An excellent new history." -- Victorino Matus, American Spectator

"This literary sensation is an enthralling narrative and an outstanding historical investigation." -- Economist

"[A] fascinating and important book." -- Anthony Beevor, Daily Telegraph

About the Author
Gabriel Gorodetsky holds the Samuel Rubin Chair of Russian and East European History at Tel Aviv

Most helpful customer reviews

3 of 3 people found the following review helpful.
Excellent History
By Thomas Reiter
This is an excellent, well-written, well-sourced history of 1940-1941, prior to the German invasion of Russia. I can't add much to the description of the book in other reviews, so I'll just mention a couple of things about the book:

1) While it should be obvious from the topic of the book, this is not a military history per se (war had not broken out yet), but rather a diplomatic history. The fighting in France, Yugoslavia, Greece, etc. is covered briefly to provide context, but nothing more.

2) This book does not cover the signing of the Molotov-Ribbentrop Pact, only its aftermath.

3) While apparently this book was written in response to claims that the USSR was planning a pre-emptive attack in 1941, don't expect a point-by-point rebuttal as I've seen in other books; rather, the author lays out the facts (as he's been able to document them) and then simply concludes that there is no truth to the pre-emptive attack theories.

4) The author does an excellent job of describing the diplomatic moves/counter-moves/reactions during 1940-1941--the period was very tumultuous, with various annexations, invasions, wars, etc., each of which "reshuffled the deck" (in the author's words). Stalin's complacency after the Molotov-Ribbentrop Pact was shattered after the Germans' smashing victory in France, prompting Russian moves into the Baltics and Bessarabia, prompting German moves into Yugoslavia and Greece, etc.

5) The author also does an excellent job describing why Stalin trusted the Brits even less then he did Hitler, how various British maneuvers played into this distrust, and how it played into his (mis)calculations.

6) This book gives an excellent description of the intelligence received by Stalin--what he knew, when he knew it, how it was presented to him, and usually, why he didn't believe it. Very interesting...

5 of 6 people found the following review helpful.
In execution, a much better military history than most
By KCM
Strangely, contrary to direction one might expect, military histories of the 30s, 40s, and 50s, rather than becoming more "disciplined" from an American standpoint--insofar as they follow the expectations, rules, and requirements of profesional academia, particularly in the area of citation and presentation of evidence--seem to becoming less structured, less clearly cited, and more haphazard. Maybe I'm reading the wrong materials, or maybe I'm just overly pessimistic. In any case, Gorodetsky's work here, at least, is a much needed deviation from this unfortunate trend, based less on emotional appeals, attractive, even romantic notions and popular culture that seems more than a little pervasive in Second World War histories, particularly in the Eastern Front, and more on an extremely indepth, analytical view based on access to very numerous archives in, from what I've seen, multiple states.

I don't expect 'Grand Delusion' to serve as a rallying cry for any of the political "sides" concerning the Eastern Front--it's too rational, too deliberately methodical and expositional to do that, especially compared to its competition, it's language reserved and tempered by comparison. That could be a strike against Gorodetsky, but I personally don't think it detracts from it in its intended purpose. It does historical personalities little in the way of favors, but greatly interests the interested reader.

On a side note, I had a chance to speak with Dr. Gorodetsky about his book, very briefly--he mentioned the unfortunate fact that the designer for the book's cover cut off part of the photograph, removing part of the sign that would have otherwise indicated the German's proximity to Moscow (if memory serves correctly). Another case of a cover messed-up for aesthetics, I guess.

18 of 31 people found the following review helpful.
Solid Post-Cold War history
By Igor Biryukov
The Cold War gave birth to a myth that the Soviet Union was cunningly planning a strike against Germany in July 1941. As a result, some historians had been calling for justification of the invasion to Russia, which Nazi Germany started on June 22, 1941. The logic goes if Stalin was planning an aggression against Germany, Hitler had a right to a preemptive strike against Russia. The creators of the myth use a testimony of a defector from the Russian military intelligence by the name of V. Resun. Under a pen name "Suvorov" he wrote a book called "Icebreaker" where he presented a theory that Stalin in 1939-1941 was meticulously preparing a war against Germany. Therefore according to this theory Russia was an aggressor rather than the victim in 1941.
In "Grand Delusion" Israeli professor Gabriel Gorodetsky shows beyond reasonable doubt that Suvorov's arguments are ridiculous. He presents evidence that Stalin was not contemplating attack on Germany; but in fact was trying to avoid any confrontation with Germany while playing a compacted diplomatic game to limit Germany's political influence on the Balkans, particularly in Bulgaria and Yugoslavia. He shows Stalin's obsessions with the Turkish Straits and Bulgaria, which wasn't new, but was an old Imperial policy of Russia for many years. I was surprised to learn how much "tsarist" Stalin's foreign policy really was - there was very little in it related to the communist ideology or "class struggle" theory of Karl Marx.
The failure to understand Hitler's bellicose plans was a result of Stalin's misjudgment of power structure and decision-making process in Berlin. As an extremely suspicious person, Stalin mistrusted everyone, but looks like he believed misleading information presented to him by opponents of Hitler's policy such as Count Werner Von Schulenburg (German ambassador to Moscow, who became later a leading figure of anti-Hitler failed coup) and Ribbentrop. Stalin mistrusted equally both Churchill and Hitler and attributed all warning signals to England's efforts to drag Russia into war with Germany. Also Stalin didn't believe that Hitler would allow Wehrmacht to fight on two fronts. German double agents "Litseist" encouraged this false believe. The Germans succeeded in their sophisticated disinformation campaign, which coupled with Stalin's wishful thinking, led Russians to believe that Germany was not planning to invade Russia at least in the near future.
Gorodetsky points out that the idea of a preventive war was embedded in the German (from Frederick the Great to Moltke) rather than the Russian military tradition. "Barbarossa" plan was devised to quickly crash Russia in quick 10-week war and to free Hitler's hands to complete his "mastery of Europe". Then he would take care of England without any distractions from the "Soviet Empire". It looked like everything was working just wonderful for Nazi Germany until June 22, 1941 - the beginning of the German invasion to Russia (which by the way started suddenly without any declaration or ultimatum). But it turned out that the Germans seriously underrated the opponent and seriously miscalculated the amount of the effort they would need to crush Russia. Sure, the German might was incredible, but so was German overconfidence. Hitler's disparaging attitude towards Russian "vermin" makes ridiculous the theory of preemptive strike. Gorodetsky shows that this attitude was widespread in the West - Sir Winston Churchill himself was prone to disparaging attitude towards Stalin and the Red Army.
But just before his attack on Russia Hitler was beating Stalin at his own game. Stalin's failure to prepare for the German onslaught, which cost many Russian lives, was a result of his own self-deception and wishful thinking. Although Stalin was very wily, I feel that he lacked formal education to think abstractly and deal with issues like, for example, proverbial German concept of "Drang nach Osten" or draw analogies from history. Although as a Georgian, he was obsessed with history of the Black sea and repercussions of potential German capture of the Turkish Straits. 150 years earlier the Grand Army of Napoleon stood looking across the English Channel - but there was nowhere for it to go - except to Russia. It seems to me again in June 1941 the same gravitational force was pulling 200 idle German divisions to the endless Russian steppes. Where else would these "drunk with success" armies go?
I really liked the book. This scholarly and dry book was not an easy read. But the amount of information looked at is enormous and the quality of analysis is good. Also for the first time the reliance is not only on the German and British sources, but also on the declassified Russian archives. The book de-romanticizes many myths and accounts, including well-known Churchill's history of WWII, which is "persuasive but excessively self-centered and therefore occasionally misleading interpretation of events". I highly recommend this book to everybody interested in reading a non-Disney history of WWII.

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Selasa, 28 Agustus 2012

[M788.Ebook] Ebook Download Common Sense Parenting, 4th Ed.: Using Your Head as Well as Your Heart to Raise School Age Children, by Ray, PH.D. Burke, Bridget, MS Barn

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Common Sense Parenting, 4th Ed.: Using Your Head as Well as Your Heart to Raise School Age Children, by Ray, PH.D. Burke, Bridget, MS Barn

The authors ease the self-doubt and confusion of parenthood while answering the tough questions, including: Is social media safe for my son? How can I discipline my daughter so it actually makes a difference? Can I change my child's attitude about school? and Why should I praise my daughter for doing what she's expected to do? This award-winning book, in an updated fourth edition, offers expanded chapters on a range of parenting strategies.

  • Sales Rank: #670323 in Books
  • Published on: 2015-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x 1.10" w x 5.40" l, .0 pounds
  • Binding: Paperback
  • 376 pages

About the Author
Director of Program Evaluation at Boys Town.

Bridget Barnes is Director of the Boys Town Common Sense Parenting Program for Nebraska and Iowa. She has extensive experience training both parents and parent trainers.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Useful, easy-to-implement positive parenting program!
By thriftygal
Common Sense Parenting (CSP) is a well-specified, easy-to-read, and (most importantly) easy-to-implement strategy that uses behavioral principles (particularly positive reinforcement and shaping) to improve behavior and teach social skills. As a mental health professional, CSP is my top choice of parenting programs to use with my clients. In fact, Boys Town of Southern California will be teaching the CSP class in my office conference room in the near future, and I am really looking forward to it!

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[T585.Ebook] PDF Download Tor! The Story of German Football, by Uli Hesse

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Tor! The Story of German Football, by Uli Hesse

Germany did not have professional players or a national league until the 1960s, yet it became one of the most successful football nations in the world. Tor! (Goal!) traces the extraordinary story of Germany’s club and international football, from the days when it was regarded as a dangerously foreign pastime, through the horrors of the Nazi years to postwar triumphs and the crisis of the new century.

Tor! challenges the myth that German football is ‘predictable’ or ‘efficient’ and brings to life the fascinating array of characters who shaped it: the betrayed pioneer Walther Bensemann; the enigmatic genius Sepp Herberger; the all-conquering Franz Beckenbauer; the modern misfit Lothar Matth�us. And even the radio commentator Herbert Zimmermann, whose ecstatic cries of ‘Tor!’ greeted the winning goal in the 1954 World Cup final and helped change a whole nation’s view of itself.

"Beautifully crafted... demolishes myths with the cold-blooded efficency of a literary Gerd Muller" – The Times

  • Sales Rank: #701693 in eBooks
  • Published on: 2011-05-20
  • Released on: 2011-05-20
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
A good book that feels a lot longer than it actually is.
By Marko Dj
I usually like reading sports history books because it educates me on aspects of a sport that I don't know much about. While Tor! is a good book on its own, reading it ten years after its publication leaves me wanting to learn more about the years after its publishing. Had this focused on one particular aspect of German football (eg. the 70s), it would work a lot more rather than its century-long look. Had I paid attention to the books publish year before starting, I probably wouldn't have read it. However, even with that, the book does a good job at explaining all the ups and down of German football over the 20th century. At times some chapters felt very long, as the author tries to put as much information in each chapter, so some people might be a little put off if you like to read a chapter at a time.

If you are looking for a book on german football history before the 21st century, definitely pick this up. If you're a person wanting to learn about more recent events in Germany (eg. the 2014 WC success, Bayern's latest domination, etc...) there might be better options out there.

0 of 0 people found the following review helpful.
Very enriching
By aRJghhh
A great book indeed if you're looking to watch more Bundesliga matches, especially the current talks of how the German league has the highest average attendance than all the leagues in europe, its financially stable, and how more prominent stars and managers (aka Pep Guardiola) are wanting to go to Germany. Since this book was written in 2003, there's a 10 year gap and missing out events such as the 2006 World Cup, Bayern's failures in Champions League Finals, and Dortmund's current dominance. Nevertheless, its a great read to get familiar with the clubs and individuals that forged new expansions to German football and leading to world cups. I think what most struck me was of all the talk of how great the structure of today's Bundesliga, history shows that there had been tremendous problems for a long time, internally and externally. In light of 50 years of the Bundesliga, I hope Mr. Hesse would write another book, explaining the last decade of German football and get us outsiders up to date for the coming years.

0 of 0 people found the following review helpful.
Easy read, informative with right balance of light & serious stuff.
By Ju Yang
I bought a kindle version, and finished reading it within 3 weeks (quite casual read everyday). For a casual follower of football, the book has the right balance of being entertaining enough and informative on the football history of Germany. It is not too technical, and was written sometimes with a sense of humour, vividly demonstrating the unpredictability of the beautiful game. It also has the right balance of Bundesliga introduction and German national football campaign. All in all, it is a good past-time read, and well suited for people who intend to enhance their knowledge in the game, and how Germany has come to where it is now. The only pity of the book is that it is only until 2003, with a brief touch of 2006 World Cup. A new version would be needed to catch up what happened since then, especially Jurgen Klinsman & Co.'s reign at German football. Strongly recommended!

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Senin, 27 Agustus 2012

[M156.Ebook] Download Ebook The Hot Rod World of Robt. Williams, by Robt. Williams, Mike LaVella

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The Hot Rod World of Robt. Williams, by Robt. Williams, Mike LaVella

Robert Williams' life and work have proven difficult to describe. Who better then, to put Williams into words and pictures than the man himself-as he does in this illustrated autobiography of his life in hot rods. Here, for the first time, Robert Williams presents his extraordinary body of work in the context of his hot rod background, in the process relating his impossibly wild formative years and his gradual establishment as one of America's most influential underground artists. Born in 1943 and raised in Alabama and Albuquerque, Williams eventually gravitated to Southern California and the Chouinard Art Institute, but not before immersing himself in the country’s nascent youth culture of hot rods, rock ’n’ roll, and bowling alley rumbles. He recounts a boyhood spent in drive-in theaters and dirt tracks, honing a life and a style that had little to do with the world of square day jobs he entered after leaving Chouinard in 1963, when, through sheer happenstance, an unemployment agency handed him a job as art director at the studio of his hero, Ed ""Big Daddy"" Roth. Along with tales from his time at Roth studios—which resulted in his famous Roth ads for Hot Rod magazine, not to mention several infamous run-ins with the Hell’s Angels—Williams demythologizes the 1950s, recalls his association with Zap Comix and R. Crumb, and reflects on today’s retro rodders and his own hot rods. Illustrated throughout with photographs from Williams’ personal collection as well as paintings and illustrations, this is a life portrait as only Robert Williams could do it.

  • Sales Rank: #333024 in Books
  • Brand: Brand: Motorbooks
  • Published on: 2006-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .37" w x 10.00" l, 2.66 pounds
  • Binding: Hardcover
  • 176 pages
Features
  • Used Book in Good Condition

Review

Rod and Custom Magazine, September 2007

“Williams tells his fascinating personal story centering around his lifelong involvement with hot rods.”



Gearhead, No. 15�
“The ultimate book on ... artist Robt. Williams and his relationship to hot rods and car culture has arrived.”



Ol’ Skool Rodz, July 2007
“Robt. Williams is the dean of hot rod art, the man to whom all other hot rod lowbrow artists are ultimately compared. Here is a book for hot rodders, lowbrow art lovers, fans of the man Robt. Williams and students of the American hot rod culture. Read it and enjoy.”

From the Inside Flap

While previous volumes have celebrated the art of Robert Williams, until now none have placed Williams’ life and extraordinary body of work in proper context by examining his unrepentant jones for hot rods. And who better to put this story into words than the man himself?

In this illustrated, two-fisted narrative, Williams brings readers along on a raucous ride, recalling his impossibly wild formative years and immersion in the country’s nascent youth culture of hot rods, rock ’n’ roll, and bowling alley rumbles; his long appreciation of the hot rod’s circle-track roots; and his happenstance arrival at Roth Studios. Williams’ recollections are populated by a rich cast of characters at once madcap (Ed Roth), surly (Von Dutch), dashing (Pete Eastwood), and soon-to-be revered (Gray Baskerville, Jim Jacobs, and Pete Chapouris). Notably, Williams delves deeply into his associations with Roth and Dutch, provides the first complete lowdown on his and wife Suzanne’s remarkable hot rods (including his hugely influential deuce roadster), and draws a neat line between his vast knowledge of history and the state of hot rodding today.

Illustrated throughout with photographs from Williams’ personal collection and with several artworks, The Hot Rod World of Robt. Williams is a testament to the author’s legendary status among modern hot rodders and artists alike.

From the Back Cover

“Robert Williams can do the work of five men.”

—Ed “Big Daddy” Roth

“Robert Williams’ life reads like a full-color Johnson Smith Company catalog of every fascinating facet of lowbrow/underground/hot rod/rock & roll culture that has mostly remained hidden in darkness beneath the flat rock of ‘decent’ American society.

“Hot Rods, Motorsickles, Carnies, Juvenile Delinquents, Bikers, Hippies, and Punks, Bob has spent a lifetime simmering waist-deep in a spicy gumbo of gonzo weirdness, and now he’s serving up a big bowl of his crazy life to you, oh hapless reader.

“Did I forget to mention that he’s also one of the greatest American artists of the last fifty years? Read on.”

—COOP

“Williams paints the way Salvador Dali tries to paint.”

—Von Dutch

“Superlatives, by necessity, must falter and be left moldering by the wayside in reference to Robert Williams.”

—Frank Kozik

Gearhead magazine, Issue #10

Most helpful customer reviews

11 of 11 people found the following review helpful.
a fun ride
By Denis Wheary
The Hot Rod World of Robert Williams is quite a book. For Williams fans and car buffs alike, this title delivers a pile of steaming hot information, art and vintage photographs in an entertaining format. But like the man himself, there is nothing typical about this book.

What we have here is an illustrated family album with dialog that sounds like it was recorded sitting around the kitchen table. Robert and Suzanne Williams are two very knowledgeable, articulate and funny people, with the inside skinny on the outlaw car and art worlds. These folks grew up after WWII when the teen car scene was in its infancy; they built their own cars, partied, fought and raised hell with the rough kids, and placed their own marks on the car (and art) culture. In this book, Robert and Suzanne explain what real hot rodders were doing as they show the evolution of the cars they built.

But understand, this is not a sanitized version, a tale of rich man collectors, or the Golden Book of Car Show Winners. Even within their circle of friends, Robert and Suzanne's cars and ideas were not typical. For those familiar with Robert's contribution as a trouble maker, innovator and leader in the art world, it is interesting to note that even within a group of car and biker outlaws, this guy was different, a radical who pursued his own ideas, often in the face of derision. And Suzanne is clearly his partner in crime.

While others were chopping and welding together steel street rats, fabricating racecars, or designing from scratch exotic show cars, the Williams carefully planned, cut and built cars that were true hot rods yet preserved the integrity of the original vehicle. Then when their cars were assembled, upholstered and beautifully finished, the couple eschewed the usual high gloss paint jobs and mag wheels, driving and displaying their cars instead in glorious dull primer! Years later, when flat primered hot rods became a SoCal fad, Robert restored his car's original rumble seat and had it painted in an outrageous early race car style with an obnoxious color scheme of purple and chartreuse (!), once again offending most of the car boy purists. Why?

Buy the book and see....

It's a great read, a fun ride, and, along the way, all will be explained.

9 of 9 people found the following review helpful.
great book about a pathbreaking artist
By Real Rocker
I'm married 28 years to a hot rod guy. He always told me Robert Williams was "da man." Now, having read thru this excellent art-infused history-biography, I know why. Williams imagines, then creates. Nothing holds him back. In that way he's true to the spirit of hot rodding. His stories are highly entertaining, the art is spellbinding, and the overall organization of the book is first rate. Can't ask for much more than that! Totally and highly recommended.

4 of 4 people found the following review helpful.
Robert Williams 'Hot Rod World of...'
By Philip Lebow
Robert Williams younger years are examined here and the influence of the car culture

and motorcycle culture on his art of the period and later. I liked the book,

as it exposes more of the man than his rather outre` work reveals.

I wish that more of his hot rod themed paintings had been included, as it is

mostly photos of Robert and his cars.

A helpful book if you're trying for a more rounded understanding of this

painter in relationship to his era.

His work from the period was more furious, than the ironic and fantastic

paintings of later years.

Reboundspring

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Minggu, 26 Agustus 2012

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  • Sales Rank: #11146953 in Books
  • Binding: Hardcover

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Minggu, 19 Agustus 2012

[K577.Ebook] Download Ebook This Jazz Man, by Karen Ehrhardt

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This Jazz Man, by Karen Ehrhardt

SNAP!�BOMP!�BEEDLE-DI-BOP!�In this toe-tapping jazz tribute, the traditional "This Old Man" gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound "divine."

  • Sales Rank: #107319 in Books
  • Brand: Ehrhardt, Karen/ Roth, R. G. (ILT)
  • Published on: 2015-01-27
  • Released on: 2015-01-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.84" h x .10" w x 8.55" l, .0 pounds
  • Binding: Paperback
  • 32 pages

From School Library Journal
Grade 1-5–Using a lively version of the children's song This Old Man, this book introduces famous African-American jazz musicians as it counts to nine. Louis Armstrong is number 1. This jazz man, he plays one,/He plays rhythm with his thumb,/With a Snap! Snap! Snazzy-snap!/Give the man a hand,/This jazz man scats with the band. The illustrations give clues to the performers, and the end matter has a biographical sketch for each one. In the final spread, all of the musicians are together, taking bows: These jazz men make one great band! The energetic collage illustrations introduce the action by picturing bold striped curtains encompassing an empty stage set up with jazz instruments; each performer's subsequent spread has striped borders. Onomatopoeic words spill across the pages in imitation of the music's sounds. The book is fun for jazz aficionados and neophytes alike. Children will enjoy the sounds and illustrations and sing along without needing to know more.–Judith Constantinides, formerly at East Baton Rouge Parish Main Library, LA
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Ehrhardt moves the traditional counting chant "This Old Man" to the jazz club in this infectious, rhythmic offering. Each page features a different jazz musician who plays "rhythm with his thumb," makes "music with his shoes," and so on. The rhyming text scans with a smooth, toe-tapping tempo that's nicely extended by the colorful, mixed-media images, arranged in compositions that have their own staccato beat. Bars of striped color slide across page edges, and stylized African American musicians, rendered in geometric shapes and textured prints, send up "notes that rise to heaven." Children will want to shout along with the scat-cat rhythms ("Beedle-di-Bop! Bebop!") that replace the original chant's "paddy-whack" refrain and are printed in colorful letters that punctuate the artwork. This will appeal most to preschoolers and kindergarteners, but older children will appreciate the closing section, which reveals that the featured musicians represent real-life jazz legends, including Charles Mingus and Charlie Parker. A short biography of each is appended. A welcome introduction to the world of jazz. Gillian Engberg
Copyright � American Library Association. All rights reserved

Review
“This Jazz Man . . . is gentle and upbeat. Here the idea is that every great musician joins one big imaginary jazz band, and it’s a whole lot of fun.”The New York Times Book Review

Most helpful customer reviews

27 of 27 people found the following review helpful.
This Great Book! (More and More Honors!)
By M. Allen Greenbaum
Update, 2010.

Live on Stage: The Sounds of "This Jazz Man"

Finally! "This Jazz Man" will be released very soon on CD and cassette, and I'm lucky enough to have an advance copy from the publisher. Although author Ehrhardt and illustrator Roth painted a superb word-picture combo, the SOUND of those illustrious 10 Jazz men was absent from the mix. The audio version solves that creatively, not only with a superb --jazzy even--reading of the text by James "D Train" Williams (his enthusiastic but controlled narrative brims with the personalities of the musicians and their music), but with examples of the music by a very talented septet! You can hear the splash bomb drumming of Art Blakey, the lush grandeur of Duke Ellington, the boppish output of Mingus, Charlie "Bird" Parker, and Dizzy. These samplings, long enough to give one a real feeling for the style and sound, alternate with Williams' narration, and the sound effects (the hushed introduction of a mythical nightclub that helps identify the musician), the thunderous and very life-sounding applause) both mesh with and intensify the excitement of the book: You really feel like you're there!

The book/CD combination is as fine an example of immersion education as you'll hear, see, and especially feel. Like the book, the CD can be enjoyed at several levels of musical knowledge and cognitive development. Toddlers will enjoy the jazzy text and bright pictures (as well as learning the numbers from one to ten) accompanied by the synchronized CD (there is a brief page-turning sound to cue the parent, teacher, or designated student page-flipper to turn the page). Older elementary school kids can enjoy the same experience, or can listen to a second track that excludes the page-turn cue. Moreover, there is a third track with more information about jazz and the featured musicians. This is a rare opportunity to teach your child or your classroom that music is a living thing of beauty,color, and joy; a swinging endeavor that evolves with both artist and audience.

Note: Since writing the review below, I've discovered that "This Jazz Man" has received three (and counting) prestigious honors in the last month or so: A Nick Jr. Book of the Year for Children, one of the N.Y. Public Libraries Top 100 books to Read to Kids, and one of a very few named by National Public Radio as a best children's book of the year!

February 2007 Update: This Jazz Man is on the cover of the February "Crickets" magazine! In addition, it was shortlisted as a top book by the Cooperative Children's Book Center, and is being used as a teaching tool for a Smithsonian Museum (yes, that Smithsonian!) exhibit.

If you've bought this book, you and I share a certain nose for kids' books; if you haven't, you'll discover a book that's snappy and swinging, fun and informative. My original review follows.

"Doodly-doodly-Doot-doot! Toot-Toot!"

That's Karen Ehrhardt's delightful take on a Dizzy Gillespie trumpet line, and like the rest of this sparkling first book, every note rings joyous and true. In a somewhat daring move, Ms. Ehrhardt airs out the musty English poem, "This Old Man," with jazz-infused lyrics, and distills the essence of nine jazz giants: Louis Armstrong, Bill "Bojangles" Robinson, Chano Pozo, Fats Waller, Duke Ellington, Art Blakey, Charlie Parker, Dizzy Gillespie, and Charles Mingus.

The improvisations in "This Jazz Man" are authentic and fun--the text is made for reading out loud! Listen to this evocation of Charlie Parker, for example:

This jazz man, he plays five,
He plays bebop, he plays jive,
With a Deedle-di-bop! Bebop!
Give the man a hand,
This jazz man blows with the band.

Within the 5-line format of the original song, the author conveys the sound and spirit of these artists, while keeping the tone light and understandable for her young, perhaps jazz-naive audience (about 3 to 7 years-old). Along with each Jazz Man's stanza are the sounds and rhythms of his performance -- depicted in text incorporated with each illustration. When drummer Art Blakey "plays solos with his sticks" and "beats with the band," the percussive sounds "Chikka-chee! Chikka-chee! Bubbuda-bubbuda-bubbuda-BOMP!" pulse over his vibrating cymbals. Following the `performance,' older readers (and adults) can learn more about Blakey -- his innovation of the "press roll" and his role in nurturing new talent -- in the book's afterward. Riffing on the customary introductions of band members at jazz gigs ("Playing 4, form Washington, D.C... Edward Kennedy "Duke" Ellington"), the book briefly spotlights the life of each Jazz Man.

Illustrator R. G. Roth complements Ehrhardt's narrative pictures with multi-media illustrations that are playfully retro yet fresh and child-friendly. Airy compositions help children see the relaxed, expansive pose of the smiling Louis Armstrong, the verve and rhythmic creativity of "Chano" Pozo (how many times have you seen him in a jazz book for kids?), the playful attack of Fats Waller, and the stature and majesty of Charles Mingus. Roth displays a repertoire of textures and soft, engaging colors, and makes subtle references to Birdland, the Newport Jazz Festival, and other venues along the edges of book's `stage. For the small fry, a cute and playfully elusive mouse plays hide and seek throughout the book. "This Jazz Man" has an exhilarating finale -- after each man plays (1 through 9), all of the jazz icons appear on stage together:

This jazz band, they play ten,
We beg them to play again,
With an "Encore, we want more!"
Give them all a hand"
These jazz men make one great band!

"This Jazz Man" gets it right, rhymes it tight, and entertains without misrepresenting. (To put this achievement in context, too many kids' "jazz" books really focus on the blues--usually the rural blues, seen through an awkward sentimentalism--or solely on dance. Sometimes they confuse eras, portraying any jazz singer as a combination of Bessie Smith, post-WWII hep cats, and 1950's beats, with a dash of oddly misplaced 1970's styles.)

"This Jazz Man" is a natural for school or library audiences, rambunctious group singing, the first efforts of beginning readers, or as a bedtime treat for toddlers. One doesn't need to know one lick about jazz to enjoy the musicality of the rhymes and the understated but compelling jazz portraits: They stand on their own. In addition, teachers can easily adapt "This Jazz Man" to language units, numbers and counting, music appreciation, art, solo and group singing. Older students may delve further into the lives and times of the musicians through Ehrhardt's rich yet compact biographical sketches in the afterward. (Offhand, I can't think of any book--for kids or adults--that so succinctly and eloquently describes each musician's significance.) For readers who'd like to sample the actual music, Ehrhardt recommends recorded works for each Jazz Man: a couple tracks for each musician, and even two feature films (available on video) that display Bojangles' tapping talents. (Perhaps in future editions of this book, the publishers could include a companion CD/DVD.)

With apologies to the author--though inspired by her:

This jazz fan, I count one,
"This Jazz Man" is lots of fun!
With a smile and a nod and an "ain't that grand!"
Let's give Ehrhardt a great big hand!

12 of 13 people found the following review helpful.
Jude's Review of Jazz Man
By Helene Van Manen
I'm 3 and my Grandmother Helene reads this book to me. She said that my Doctor Beth gave it to me and my sister Scarlett and the author signed it. That made me smile.

I really like this book. My grandmother sings me it and i like music and instruments and can name the saxophone and trumpet and drums.I like the pictures of the conga drums.

I usually say, " read it again" when she's done and I can almost pick out all the numbers now too. Jude Stulb, Pueblo Colorado

11 of 12 people found the following review helpful.
A great read aloud for kids!
By Sophie Bo
I am an elementary school media specialist for grades 1 - 5. I read this book to my first and second graders. By the third jazz man they were chanting along with me. By the fifth man we were all singing along with the familiar song tune. They loved the scat phrases and repeated them over and over. What a bonus that these men are actual jazz legends. I highly recommend this book for a great musical read.

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Sabtu, 18 Agustus 2012

[B515.Ebook] Free PDF Bombing to Win: Air Power and Coercion in War (Cornell Studies in Security Affairs)

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Bombing to Win: Air Power and Coercion in War (Cornell Studies in Security Affairs)

  • Published on: 1705
  • Binding: Paperback

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Bombing to Win: Air Power and Coercion in War (Cornell Studies in Security Affairs) EPub
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